![]() ![]() ![]() In her nearly 15-year career at Condé Nast, she produced 30 covers and hundreds of illustrations depicting modern society, often cynically.Her work was compared to Aubrey Beardsley although Fish noted that she did not see his work until after the comparison had been made. He compares the flow of human life to the two uncontrollable, mysterious, and constantly moving natural phenomena of water and wind. However, the final line represents all the speaker learned. The seeds of learning are supposed to reap wisdom. In total, Fish contributed to American Vanity Fair, Vogue, The Sketch, Eve, Punch, and Tatler. Quatrain 28 offers an extended metaphor for his search of sowing seeds and hoping for a harvest. ![]() They could as easily open an elegy for a liner that sank like a stone in the dark, the world roused to aching loss of life and jolted consideration of the nature of this fragile thread. Her illustration of "Eve" in The Tatler spawned films, theatre and books. These are the introductory lines of the Rubiyt of Omar Khayym, translated from the Persian by Edward FitzGerald in 1859. Item #14041 Annie Fish (1890 – 1964) was a British cartoonist and illustrator. A very good copy (corners starting upper corners lightly bumped light wear to extremities slight darkening to boards). Blue gilt lettered cloth spine over blue-grey paper boards illustrated endpapers. For lovers of illustration in its highest form, the Vedder 'Rubáiyát' exhibit, complemented as it is by Brandywines existing collections of Pyle and N.C. Letterpress by the Curwen Press, plates by Geo. 20 striking pochoir colored Art Deco style illustrations by English illustrator Anne Harriet Fish, known as "Fish", with tissue guards (including frontispiece) initial capitals in orange & black. ![]()
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